Album Reviews
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Stefanie Keys – Open Road
The third full length album from Stefanie Keys, Open Road, is her most fully realized effort yet. Keys is not merely a remarkable singer; her...
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The Good For Nothin’ Band – Maniac World
Musical styles have an unique way of lingering in our collective popular conscious long after their mainstream sell-by date expires. Few forms embody this idea...
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Michael Immaculate – Right Of Passage
I recently was sent Right Of Passage, the debut album from Michael Immaculate. I have to admit I was somewhat skeptical I would enjoy it...
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Water Street – Waiting for Martin
The first full length album release from New Jersey’s Water Street is a ten song collection spanning a surprisingly wide variety of styles while still...
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Project Grand Slam – The Queen’s Carnival
Robert Miller heeded his icon’s musical lessons well. There is a dizzying array of musical moves on auditory display for listeners with Project Grand Slam’s...
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Zoe Nutt – Like You
Nashville, once a bastion of steel guitars and twangs thick enough to cut diamonds, has diversified itself musically a great deal over the last quarter...
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Porcelain People – Streetlights
Streetlights, the thirteen song debut from Louisiana based electro pop duo Porcelain People is one of 2016’s most vibrant releases. While many modern bands or...
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Anomie Belle – Flux
The release of Anomie Belle’s debut album Flux and its accompanying art book marks the emergence of a major new songwriting and performing talent. She...
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Thomas Charlie Pedersen – Second Hand War
At initial inspection, you might tally up the fourteen songs on Thomas Charlie Pedersen’s first solo release Second Hand War, read some press about its...
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Rogue Valley – Radiate/Dissolve
The release of Rogue Valley’s fifth album, Radiate/Dissolve, may come to mark the pivotal moment when the Minnesota based five piece transitioned from indie darlings...
